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| Titre | Mendelssohn, the Organ and the Music of the Past | |
| Auteur(s) | JürgenThy (editor), R. Larry Todd, Siegwart Reichwald, Peter Mercer-Taylor, Wm. A. Little, Russel Stinson, Nicholas Thistlethwaite, Hans Davidsson, Christoph Wolff, John Michael Cooper, Glenn Stanley, Benedict Taylor, Celia Applegate | |
| Éditeur | University of Rochester Press |
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| Année d'édition | 2014 | |
| ISBN | 978-1-58046-474-1 | |
| Site de l'éditeur | http://www.urpress.com | |
| Nombre de pages | 339 | |
| Illustrations | 1 document C, 6 documents NB, 2 photos NB, 52 exemples musicaux, 1 table | |
| Type d'ouvrage | Ouvrage collectif | |
| Langue de l'ouvrage | GB | |
| Date de réception au M'O | 17/12/2015 | |
| Table des matières | Acknowledgments. ix 1. Jürgen Thym: Introduction: Of Statues and Monuments. 1 Part One: Composition and Tradition 2. R. Larry Todd: Mendelssohn and the Contrapuntal Tradition. 15 3. Siegwart Reichwald: Mendelssohn and the Catholic Tradition: Roman Influences on His Kirchen-Musik, Op. 23 and Drei Motetten, Op. 39. 40 4. Peter Mercer-Taylor: Mendelssohn and the Legacy of Beethoven's Ninth: Vocality in the "Reformation" Symphony. 61 Part Two: Mendelssohn and the Organ 5. Wm. A. Little: Mendelssohn and the Organ. 91 6. Russel Stinson: Some Observations on Mendelssohn's Bach Recital. 111 7. Nicholas Thistlethwaite: "He Ought to Have a Statue" : Mendelssohn, Gauntlett, and the English Organ Reform. 122 8. Hans Davidsson: Mendelssohn's Sonatas, Op. 65, and the Craighead-Saunders Organ at the Eastman School of Music: Aspects of Performance Practice and Context. 141 Part Three: Mendelssohn's Inherited Legacies in Context 9. Christoph Wolff: The Bach Tradition among the Mendelssohn Ancestry. 213 10. John Michael Cooper: Music History as Sermon: Style, Form, and Narrative in Mendelssohn's "Dürer" Cantata (1828). 224 11. Glenn Stanley: Mendelssohn's "Authentic" Handel in Context: German Approaches to Translation and Art and Architectural Restoration in the Early Nineteenth Century. 264 12. Benedict Taylor: Beyond the Ethical and Aesthetic: On Reconciling Religious Art with Secular Art-Religion in Mendelssohn's "Lobgesang". 287 13. Celia Applegate: Mendelssohn's Religious Worlds: Currents and Crosscurrents of Protestantism in Nineteenth-Century Germany and Great Britain. 310 List of Contributors. 327 Index. 333 |
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