B_2860 ()

29 / 57

List of Illustrations. ix

List of Tables. xi

Source Sigla. xiii

Catalogue. xv

Introduction. Xxi

Part 1: The sources

·      Early sources [i]: The Wolfenbüttel Autographs. 3

·      Early sources [ii]: The ‘Sweelinck’ Sources. 9

·      Middle-period sources [i]: The Zellerfeld Tablatures. 15

·      Middle-period Sources [ii]. 43

·      Late Sources: Lüneburg, Pelplin and the ‘Clavier’ Anthologies. 45

·      The Dates Found in the Sources. 61

Part 2: Chronology

·      7. Toccatas and ‘Free’ Imitative Pieces. 67

·      8. Harpsichord Variations and Dances. 71

·      9. Praeambula and Praeludia. 77

·      10. Chorale Cycles. 83

·      11. Chorale fantasias and Magnificat Cycles. 97

·      12. Intabulations. 117

·      13. Scheidemann's Development as a Keyboard Composer. 121

Part 3: Special studies

·      14. More on the Düben Tablature and its Background. 127

·      15. Scheidemann's ‘Kunstreiche Manuduction auf dem Clavier’: Fingering in the Scheidemann Sources. 155

·      16. Ulf Grapenthin: The Catharinen Organ during Scheidemann's Tenure. 169

·      17. Scheidemann in Otterndorf: Registration Practice. 199

Appendices

·      A tentative Chronological Classification. 215

·      Map of Northern Germany. 221

·      Two Fragmentary Works from Ze2: wv 24 and 25. 225

Bibliography. 231

Index of works by Heinrich Scheidemann. 243

Name and subject index. 247